The Academy Award for Best Sound is an Academy Award that recognizes the finest or most (euphonic) (sound mixing), recording, (sound design), and (sound editing). The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians. The first were (Murray Spivack) and (Jack Solomon) for (Hello, Dolly!). It is generally awarded to the (production sound mixers), (re-recording mixers), and (supervising sound editors) of the winning film. In the lists below, the winner of the award for each year is shown first, followed by the other nominees. Before the (93rd Academy Awards), Best Sound Mixing and Best Sound Editing were separate categories.
Academy Award for Best Sound | |
---|---|
Country | United States |
Presented by | Academy of Motion Picture Arts and Sciences (AMPAS) |
First awarded | (1930) |
Most recent winner | (Tarn Willers) and (Johnnie Burn) (The Zone of Interest) ((2023)) |
Website | oscars |
For the second and third years of this category (i.e., the (4th Academy Awards) and the (5th Academy Awards)) only the names of the film companies were listed. Paramount Publix Studio Sound Department won in both years.
Winners and nominees
1930s
Year | Film | Nominees |
---|---|---|
(1929)–(1930) ((3rd)) | ||
(The Big House) | Metro-Goldwyn-Mayer Studio Sound Department, (Douglas Shearer) | |
(The Case of Sergeant Grischa) | (RKO Radio Studio Sound Department), (John Tribby) | |
(The Love Parade) | Paramount Famous Lasky Studio Sound Department, (Franklin Hansen) | |
(Raffles) | (United Artists Studio Sound Department), (Oscar Lagerstrom) | |
(Song of the Flame) | (First National Studio Sound Department), (George Groves) | |
(1930)–(1931) ((4th)) | ||
Paramount Publix Studio Sound Department | ||
Metro-Goldwyn-Mayer Studio Sound Department | ||
(RKO Radio Studio Sound Department) | ||
Samuel Goldwyn-(United Artists Studio Sound Department) | ||
(1931)–(1932) ((5th)) | ||
Paramount Publix Studio Sound Department | ||
Metro-Goldwyn-Mayer Studio Sound Department | ||
(RKO Radio Studio Sound Department) | ||
Warner Bros.-(First National Studio Sound Department) | ||
(1932)–(1933) ((6th)) | ||
(A Farewell to Arms) | Paramount Studio Sound Department, (Franklin Hansen) | |
(42nd Street) | Warner Bros. Studio Sound Department, (Nathan Levinson) | |
(Gold Diggers of 1933) | Warner Bros. Studio Sound Department, (Nathan Levinson) | |
(I Am a Fugitive from a Chain Gang) | Warner Bros. Studio Sound Department, (Nathan Levinson) | |
(1934) ((7th)) | ||
(One Night of Love) | Columbia Studio Sound Department, (John P. Livadary) | |
(The Affairs of Cellini) | (United Artists Studio Sound Department), (Thomas T. Moulton) | |
(Cleopatra) | Paramount Studio Sound Department, (Franklin B. Hansen) | |
(Flirtation Walk) | Warner Bros.-(First National Studio Sound Department), (Nathan Levinson) | |
(The Gay Divorcee) | (RKO Radio Studio Sound Department), (Carl Dreher) | |
(Imitation of Life) | Universal Studio Sound Department, (Theodore Soderberg) | |
(Viva Villa!) | Metro-Goldwyn-Mayer Studio Sound Department, (Douglas Shearer) | |
(The White Parade) | (Fox Studio Sound Department), (Edmund H. Hansen) | |
(1935) ((8th)) | ||
(Naughty Marietta) | Metro-Goldwyn-Mayer Studio Sound Department, (Douglas Shearer) | |
($1,000 a Minute) | (Republic Studio Sound Department) | |
(Bride of Frankenstein) | Universal Studio Sound Department, (Gilbert Kurland) | |
Captain Blood | Warner Bros.-(First National Studio Sound Department), (Nathan Levinson) | |
(The Dark Angel) | (United Artists Studio Sound Department), (Thomas T. Moulton) | |
(I Dream Too Much) | (RKO Radio Studio Sound Department), (Carl Dreher) | |
(The Lives of a Bengal Lancer) | Paramount Studio Sound Department, (Franklin B. Hansen) | |
(Love Me Forever) | Columbia Studio Sound Department, (John P. Livadary) | |
(Thanks a Million) | (20th Century-Fox Studio Sound Department), (Edmund H. Hansen) | |
(1936) ((9th)) | ||
(San Francisco) | Metro-Goldwyn-Mayer Studio Sound Department, (Douglas Shearer) | |
(Banjo on My Knee) | (20th Century-Fox Studio Sound Department), (Edmund H. Hansen) | |
(The Charge of the Light Brigade) | Warner Bros. Studio Sound Department, (Nathan Levinson) | |
(Dodsworth) | (United Artists Studio Sound Department), (Thomas T. Moulton) | |
(General Spanky) | (Hal Roach Studio Sound Department), (Elmer A. Raguse) | |
(Mr. Deeds Goes to Town) | Columbia Studio Sound Department, (John P. Livadary) | |
(The Texas Rangers) | Paramount Studio Sound Department, (Franklin B. Hansen) | |
(That Girl from Paris) | (RKO Radio Studio Sound Department), (John Aalberg) | |
(Three Smart Girls) | Universal Studio Sound Department, (Homer G. Tasker) | |
(1937) ((10th)) | ||
(The Hurricane) | (United Artists Studio Sound Department), (Thomas T. Moulton) | |
(The Girl Said No) | (Grand National Studio Sound Department), (A. E. Kaye) | |
(Hitting a New High) | (RKO Radio Studio Sound Department), (John Aalberg) | |
(In Old Chicago) | (20th Century-Fox Studio Sound Department), (Edmund H. Hansen) | |
(The Life of Emile Zola) | Warner Bros. Studio Sound Department, (Nathan Levinson) | |
(Lost Horizon) | Columbia Studio Sound Department, (John P. Livadary) | |
(Maytime) | Metro-Goldwyn-Mayer Studio Sound Department, (Douglas Shearer) | |
(One Hundred Men and a Girl) | Universal Studio Sound Department, (Homer G. Tasker) | |
(Topper) | (Hal Roach Studio Sound Department), (Elmer A. Raguse) | |
(Wells Fargo) | Paramount Studio Sound Department, (Loren L. Ryder) | |
1938 ((11th)) | ||
(The Cowboy and the Lady) | (United Artists Studio Sound Department), (Thomas T. Moulton) | |
(Army Girl) | (Republic Studio Sound Department), (Charles L. Lootens) | |
(Four Daughters) | Warner Bros. Studio Sound Department, (Nathan Levinson) | |
(If I Were King) | Paramount Studio Sound Department, (Loren L. Ryder) | |
(Merrily We Live) | (Hal Roach Studio Sound Department), (Elmer A. Raguse) | |
(Suez) | (20th Century-Fox Studio Sound Department), (Edmund H. Hansen) | |
(Sweethearts) | Metro-Goldwyn-Mayer Studio Sound Department, (Douglas Shearer) | |
(That Certain Age) | Universal Studio Sound Department, (Bernard B. Brown) | |
(Vivacious Lady) | (RKO Radio Studio Sound Department), (John Aalberg) | |
(You Can't Take It with You) | Columbia Studio Sound Department, (John P. Livadary) | |
(1939) ((12th)) | ||
(When Tomorrow Comes) | Universal Studio Sound Department, (Bernard B. Brown) | |
(Balalaika) | Metro-Goldwyn-Mayer Studio Sound Department, (Douglas Shearer) | |
(Gone with the Wind) | (Samuel Goldwyn Studio Sound Department), (Thomas T. Moulton) | |
(Goodbye, Mr. Chips) | (Denham Studio Sound Department), (A. W. Watkins) | |
(The Great Victor Herbert) | Paramount Studio Sound Department, (Loren L. Ryder) | |
(The Hunchback of Notre Dame) | (RKO Radio Studio Sound Department), (John Aalberg) | |
(Man of Conquest) | (Republic Studio Sound Department), (Charles L. Lootens) | |
(Mr. Smith Goes to Washington) | Columbia Studio Sound Department, (John P. Livadary) | |
(Of Mice and Men) | (Hal Roach Studio Sound Department), (Elmer A. Raguse) | |
(The Private Lives of Elizabeth and Essex) | Warner Bros. Studio Sound Department, (Nathan Levinson) | |
(The Rains Came) | (20th Century-Fox Studio Sound Department), (Edmund H. Hansen) |
1940s
Year | Film | Nominees |
---|---|---|
(1940) ((13th)) | ||
(Strike Up the Band) | Metro-Goldwyn-Mayer Studio Sound Department, (Douglas Shearer) | |
(Behind the News) | (Republic Studio Sound Department), (Charles L. Lootens) | |
(Captain Caution) | (Hal Roach Studio Sound Department), (Elmer A. Raguse) | |
(The Grapes of Wrath) | (20th Century-Fox Studio Sound Department), (Edmund H. Hansen) | |
(The Howards of Virginia) | (General Service Sound Department), (Jack Whitney) | |
(Kitty Foyle) | (RKO Radio Studio Sound Department), (John Aalberg) | |
(North West Mounted Police) | Paramount Studio Sound Department, (Loren L. Ryder) | |
(Our Town) | (Samuel Goldwyn Studio Sound Department), (Thomas T. Moulton) | |
(The Sea Hawk) | Warner Bros. Studio Sound Department, (Nathan Levinson) | |
(Spring Parade) | Universal Studio Sound Department, (Bernard B. Brown) | |
(Too Many Husbands) | Columbia Studio Sound Department, (John P. Livadary) | |
(1941) ((14th)) | ||
(That Hamilton Woman) | (General Service Sound Department), (Jack Whitney) | |
(Appointment for Love) | Universal Studio Sound Department, (Bernard B. Brown) | |
(Ball of Fire) | (Samuel Goldwyn Studio Sound Department), (Thomas T. Moulton) | |
(The Chocolate Soldier) | Metro-Goldwyn-Mayer Studio Sound Department, (Douglas Shearer) | |
Citizen Kane | (RKO Radio Studio Sound Department), (John Aalberg) | |
(The Devil Pays Off) | (Republic Studio Sound Department), (Charles L. Lootens) | |
(How Green Was My Valley) | (20th Century-Fox Studio Sound Department), (Edmund H. Hansen) | |
(The Men in Her Life) | Columbia Studio Sound Department, (John P. Livadary) | |
Sergeant York | Warner Bros. Studio Sound Department, (Nathan Levinson) | |
(Skylark) | Paramount Studio Sound Department, (Loren L. Ryder) | |
(Topper Returns) | (Hal Roach Studio Sound Department), (Elmer A. Raguse) | |
(1942) ((15th)) | ||
(Yankee Doodle Dandy) | Warner Bros. Studio Sound Department, (Nathan Levinson) | |
(Arabian Nights) | Universal Studio Sound Department, (Bernard B. Brown) | |
Bambi | Walt Disney Studio Sound Department, (Sam Slyfield) | |
(Flying Tigers) | (Republic Studio Sound Department), (Daniel J. Bloomberg) | |
(Friendly Enemies) | (Sound Service, Inc.), (Jack Whitney) | |
(The Gold Rush) | (RCA Sound), (James L. Fields) | |
Mrs. Miniver | Metro-Goldwyn-Mayer Studio Sound Department, (Douglas Shearer) | |
(Once Upon a Honeymoon) | (RKO Radio Studio Sound Department), (Steve Dunn) | |
(The Pride of the Yankees) | (Samuel Goldwyn Studio Sound Department), (Thomas T. Moulton) | |
(Road to Morocco) | Paramount Studio Sound Department, (Loren L. Ryder) | |
(This Above All) | (20th Century-Fox Studio Sound Department), (Edmund H. Hansen) | |
(You Were Never Lovelier) | Columbia Studio Sound Department, (John P. Livadary) | |
(1943) ((16th)) | ||
(This Land Is Mine) | (RKO Radio Studio Sound Department), (Steve Dunn) | |
(Hangmen Also Die!) | (Sound Service, Inc.), (Jack Whitney) | |
(In Old Oklahoma) | (Republic Studio Sound Department), (Daniel J. Bloomberg) | |
(Madame Curie) | Metro-Goldwyn-Mayer Studio Sound Department, (Douglas Shearer) | |
(The North Star) | (Samuel Goldwyn Studio Sound Department), (Thomas T. Moulton) | |
Phantom of the Opera | Universal Studio Sound Department, (Bernard B. Brown) | |
(Riding High) | Paramount Studio Sound Department, (Loren L. Ryder) | |
(Sahara) | Columbia Studio Sound Department, (John P. Livadary) | |
(Saludos Amigos) | Walt Disney Studio Sound Department, (Sam Slyfield) | |
(So This Is Washington) | (RCA Sound), (James L. Fields) | |
(The Song of Bernadette) | (20th Century-Fox Studio Sound Department), (Edmund H. Hansen) | |
(This Is the Army) | Warner Bros. Studio Sound Department, (Nathan Levinson) | |
(1944) ((17th)) | ||
(Wilson) | (20th Century-Fox Studio Sound Department), (Edmund H. Hansen) | |
(Brazil) | (Republic Studio Sound Department), (Daniel J. Bloomberg) | |
(Casanova Brown) | (Samuel Goldwyn Studio Sound Department), (Thomas T. Moulton) | |
(Cover Girl) | Columbia Studio Sound Department, (John P. Livadary) | |
(Double Indemnity) | Paramount Studio Sound Department, (Loren L. Ryder) | |
(His Butler's Sister) | Universal Studio Sound Department, (Bernard B. Brown) | |
(Hollywood Canteen) | Warner Bros. Studio Sound Department, (Nathan Levinson) | |
(It Happened Tomorrow) | (Sound Service, Inc.), (Jack Whitney) | |
(Kismet) | Metro-Goldwyn-Mayer Studio Sound Department, (Douglas Shearer) | |
(Music in Manhattan) | (RKO Radio Studio Sound Department), (Steve Dunn) | |
(Voice in the Wind) | (RCA Sound), (Mac Dalgleish) | |
(1945) ((18th)) | ||
(The Bells of St. Mary's) | (RKO Radio Studio Sound Department), (Steve Dunn) | |
(Flame of Barbary Coast) | (Republic Studio Sound Department), (Daniel J. Bloomberg) | |
(Lady on a Train) | Universal Studio Sound Department, (Bernard B. Brown) | |
(Leave Her to Heaven) | (20th Century-Fox Studio Sound Department), (Thomas T. Moulton) | |
(Rhapsody in Blue) | Warner Bros. Studio Sound Department, (Nathan Levinson) | |
(A Song to Remember) | Columbia Studio Sound Department, (John P. Livadary) | |
(The Southerner) | (General Service), (Jack Whitney) | |
(They Were Expendable) | Metro-Goldwyn-Mayer Studio Sound Department, (Douglas Shearer) | |
The Three Caballeros | Walt Disney Studio Sound Department, (Sam Slyfield) | |
(Three Is a Family) | (RCA Sound), (W. V. Wolfe) | |
(The Unseen) | Paramount Studio Sound Department, (Loren L. Ryder) | |
(Wonder Man) | (Samuel Goldwyn Studio Sound Department), (Gordon E. Sawyer) | |
(1946) ((19th)) | ||
(The Jolson Story) | Columbia Studio Sound Department, (John P. Livadary) | |
(The Best Years of Our Lives) | (Samuel Goldwyn Studio Sound Department), (Gordon E. Sawyer) | |
It's a Wonderful Life | (RKO Radio Studio Sound Department), (John Aalberg) | |
(1947) ((20th)) | ||
(The Bishop's Wife) | (Samuel Goldwyn Studio Sound Department), (Gordon E. Sawyer) | |
(Green Dolphin Street) | Metro-Goldwyn-Mayer Studio Sound Department, (Douglas Shearer) | |
(T-Men) | (Sound Service, Inc.), (Jack Whitney) | |
(1948) ((21st)) | ||
(The Snake Pit) | (20th Century-Fox Studio Sound Department), (Thomas T. Moulton) | |
(Johnny Belinda) | Warner Bros. Studio Sound Department, (Col. Nathan Levinson) | |
(Moonrise) | (Republic Studio Sound Department), (Daniel J. Bloomberg) | |
(1949) ((22nd)) | ||
(Twelve O'Clock High) | (20th Century-Fox Studio Sound Department), (Thomas T. Moulton) | |
(Once More, My Darling) | Universal-International Studio Sound Department, (Leslie I. Carey) | |
(Sands of Iwo Jima) | (Republic Studio Sound Department), (Daniel J. Bloomberg) |
1950s
Year | Film | Nominees |
---|---|---|
(1950) ((23rd)) | ||
(All About Eve) | (20th Century-Fox Studio Sound Department), (Thomas T. Moulton) | |
(Cinderella) | Walt Disney Studio Sound Department, (C. O. Slyfield) | |
(Louisa) | Universal-International Studio Sound Department, (Leslie I. Carey) | |
(Our Very Own) | Samuel Goldwyn Studio Sound Department, (Gordon E. Sawyer) | |
(Trio) | (Pinewood Studio Sound Department), (Cyril Crowhurst) | |
(1951) ((24th)) | ||
(The Great Caruso) | Metro-Goldwyn-Mayer Studio Sound Department, (Douglas Shearer) | |
(Bright Victory) | Universal-International Studio Sound Department, (Leslie I. Carey) | |
(I Want You) | Samuel Goldwyn Studio Sound Department, (Gordon E. Sawyer) | |
A Streetcar Named Desire | Warner Bros. Studio Sound Department, (Col. Nathan Levinson) | |
(Two Tickets to Broadway) | (RKO Studio Sound Department), (John O. Aalberg) | |
(1952) ((25th)) | ||
(Breaking the Sound Barrier) | (London Film Sound Department) | |
(Hans Christian Andersen) | Samuel Goldwyn Studio Sound Department, (Gordon E. Sawyer) | |
(The Promoter) | (Pinewood Studio Sound Department) | |
(The Quiet Man) | (Republic Studio Sound Department), (Daniel J. Bloomberg) | |
(With a Song in My Heart) | (20th Century-Fox Studio Sound Department), (Thomas T. Moulton) | |
(1953) ((26th)) | ||
(From Here to Eternity) | Columbia Studio Sound Department, (John P. Livadary) | |
(Calamity Jane) | Warner Bros. Studio Sound Department, (William A. Mueller) | |
(Knights of the Round Table) | Metro-Goldwyn-Mayer Studio Sound Department, (A. W. Watkins) | |
(The Mississippi Gambler) | Universal-International Studio Sound Department, (Leslie I. Carey) | |
(The War of the Worlds) | Paramount Studio Sound Department, (Loren L. Ryder) | |
(1954) ((27th)) | ||
(The Glenn Miller Story) | Universal-International Studio Sound Department, (Leslie I. Carey) | |
(Brigadoon) | Metro-Goldwyn-Mayer Studio Sound Department, (Wesley C. Miller) | |
(The Caine Mutiny) | Columbia Studio Sound Department, (John P. Livadary) | |
(Rear Window) | Paramount Studio Sound Department, (Loren L. Ryder) | |
(Susan Slept Here) | (RKO Studio Sound Department), (John O. Aalberg) | |
1955 ((28th)) | ||
(Oklahoma!) | (Todd-AO Studio Sound Department), (Fred Hynes) | |
(Love Is a Many-Splendored Thing) | (20th Century-Fox Studio Sound Department), (Carlton W. Faulkner) | |
(Love Me or Leave Me) | Metro-Goldwyn-Mayer Studio Sound Department, (Wesley C. Miller) | |
(Mister Roberts) | Warner Bros. Studio Sound Department, (William A. Mueller) | |
(Not as a Stranger) | (Radio Corporation of America Sound Department), (Watson Jones) | |
(1956) ((29th)) | ||
(The King and I) | (20th Century-Fox Studio Sound Department), (Carlton W. Faulkner) | |
(The Brave One) | (King Bros. Productions, Inc. Sound Department), (Buddy Myers) | |
(The Eddy Duchin Story) | Columbia Studio Sound Department, (John P. Livadary) | |
(Friendly Persuasion) | (Westrex Sound Services, Inc.), (Gordon R. Glennan); Samuel Goldwyn Studio Sound Department, (Gordon E. Sawyer) | |
(The Ten Commandments) | Paramount Studio Sound Department, (Loren L. Ryder) | |
(1957) ((30th)) | ||
(Sayonara) | Warner Bros. Studio Sound Department, (George Groves) | |
(Gunfight at the O.K. Corral) | Paramount Studio Sound Department, (George Dutton) | |
(Les Girls) | Metro-Goldwyn-Mayer Studio Sound Department, (Wesley C. Miller) | |
(Pal Joey) | Columbia Studio Sound Department, (John P. Livadary) | |
(Witness for the Prosecution) | Samuel Goldwyn Studio Sound Department, (Gordon E. Sawyer) | |
(1958) ((31st)) | ||
(South Pacific) | (Todd-AO Studio Sound Department), (Fred Hynes) | |
(I Want to Live!) | Samuel Goldwyn Studio Sound Department, (Gordon E. Sawyer) | |
(A Time to Love and a Time to Die) | Universal-International Studio Sound Department, (Leslie I. Carey) | |
(Vertigo) | Paramount Studio Sound Department, (George Dutton) | |
(The Young Lions) | (20th Century-Fox Studio Sound Department), (Carl Faulkner) | |
(1959) ((32nd)) | ||
(Ben-Hur) | Metro-Goldwyn-Mayer Studio Sound Department, (Franklin E. Milton) | |
(Journey to the Center of the Earth) | (20th Century-Fox Studio Sound Department), (Carl Faulkner) | |
(Libel) | Metro-Goldwyn-Mayer Studio Sound Department, (A. W. Watkins) | |
(The Nun's Story) | Warner Bros. Studio Sound Department, (George Groves) | |
(Porgy and Bess) | Samuel Goldwyn Studio Sound Department, (Gordon E. Sawyer); (Todd-AO Studio Sound Department), (Fred Hynes) |
1960s
Year | Film | Nominees | |
---|---|---|---|
1960 ((33rd)) | |||
(The Alamo) | (Todd-AO Sound Department), (Fred Hynes); Samuel Goldwyn Studio Sound Department, (Gordon E. Sawyer) | ||
(The Apartment) | Samuel Goldwyn Studio Sound Department, (Gordon E. Sawyer) | ||
(Cimarron) | Metro-Goldwyn-Mayer Studio Sound Department, (Franklin E. Milton) | ||
(Pepe) | Columbia Studio Sound Department, (Charles Rice) | ||
(Sunrise at Campobello) | Warner Bros. Studio Sound Department, (George R. Groves) | ||
(1961) ((34th)) | |||
(West Side Story) | (Todd-AO Sound Department), (Fred Hynes); Samuel Goldwyn Studio Sound Department, (Gordon E. Sawyer) | ||
(The Children's Hour) | Samuel Goldwyn Studio Sound Department, (Gordon E. Sawyer) | ||
(Flower Drum Song) | (Revue Studio Sound Department), (Waldon O. Watson) | ||
(The Guns of Navarone) | (Shepperton Studio Sound Department), (John Cox) | ||
(The Parent Trap) | Walt Disney Studio Sound Department, (Robert O. Cook) | ||
(1962) ((35th)) | |||
Lawrence of Arabia | (Shepperton Studio Sound Department), (John Cox) | ||
(Bon Voyage!) | Walt Disney Studio Sound Department, (Robert O. Cook) | ||
(The Music Man) | Warner Bros. Studio Sound Department, (George Groves) | ||
(That Touch of Mink) | (Universal City Studio Sound Department), (Waldon O. Watson) | ||
(Glen Glenn Sound Department), (Joseph D. Kelly) | |||
(1963) ((36th)) | Best Sound | ||
(How the West Was Won) | Metro-Goldwyn-Mayer Studio Sound Department, (Franklin E. Milton) | ||
(Bye Bye Birdie) | Columbia Studio Sound Department, (Charles Rice) | ||
(Captain Newman, M.D.) | (Universal City Studio Sound Department), (Waldon O. Watson) | ||
(Cleopatra) | (20th Century-Fox Studio Sound Department), (James P. Corcoran); (Todd-AO Sound Department), (Fred Hynes) | ||
(It's a Mad, Mad, Mad, Mad World) | Samuel Goldwyn Studio Sound Department, (Gordon E. Sawyer) | ||
Best Sound Effects | |||
(It's a Mad, Mad, Mad, Mad World) | (Walter Elliott) | ||
(A Gathering of Eagles) | (Robert Bratton) | ||
(1964) ((37th)) | Best Sound | ||
(My Fair Lady) | Warner Bros. Studio Sound Department, (George R. Groves) | ||
(Becket) | (Shepperton Studio Sound Department), (John Cox) | ||
Father Goose | (Universal City Studio Sound Department), (Waldon O. Watson) | ||
Mary Poppins | Walt Disney Studio Sound Department, (Robert O. Cook) | ||
The Unsinkable Molly Brown | Metro-Goldwyn-Mayer Studio Sound Department, (Franklin E. Milton) | ||
Best Sound Effects | |||
(Goldfinger) | (Norman Wanstall) | ||
(The Lively Set) | (Robert Bratton) | ||
(1965) ((38th)) | Best Sound | ||
(The Sound of Music) | (20th Century-Fox Studio Sound Department), (James P. Corcoran); (Todd-AO Sound Department), (Fred Hynes) | ||
(The Agony and the Ecstasy) | (20th Century-Fox Studio Sound Department), (James P. Corcoran) | ||
(Doctor Zhivago) | Metro-Goldwyn-Mayer British Studio Sound Department, (A. W. Watkins); Metro-Goldwyn-Mayer Studio Sound Department, (Franklin E. Milton) | ||
(The Great Race) | Warner Bros. Studio Sound Department, (George R. Groves) | ||
(Shenandoah) | (Universal City Studio Sound Department), (Waldon O. Watson) | ||
Best Sound Effects | |||
(The Great Race) | (Treg Brown) | ||
(Von Ryan's Express) | (Walter Rossi) | ||
(1966) ((39th)) | Best Sound | ||
(Grand Prix) | Metro-Goldwyn-Mayer Studio Sound Department, (Franklin E. Milton) | ||
(Gambit) | (Universal City Studio Sound Department), (Waldon O. Watson) | ||
(Hawaii) | Samuel Goldwyn Studio Sound Department, (Gordon E. Sawyer) | ||
(The Sand Pebbles) | (20th Century-Fox Studio Sound Department), (James P. Corcoran) | ||
Warner Bros. Studio Sound Department, (George Groves) | |||
Best Sound Effects | |||
(Grand Prix) | (Gordon Daniel) | ||
(Fantastic Voyage) | (Walter Rossi) | ||
(1967) ((40th)) | Best Sound | ||
(In the Heat of the Night) | Samuel Goldwyn Studio Sound Department | ||
(Camelot) | (Warner Bros.-Seven Arts Studio Sound Department) | ||
(The Dirty Dozen) | Metro-Goldwyn-Mayer Studio Sound Department | ||
(Doctor Dolittle) | (20th Century-Fox Studio Sound Department) | ||
(Thoroughly Modern Millie) | (Universal City Studio Sound Department) | ||
Best Sound Effects | |||
(The Dirty Dozen) | (John Poyner) | ||
(In the Heat of the Night) | (James Richard) | ||
(1968) ((41st)) | |||
Oliver! | (Shepperton Studio Sound Department) | ||
Bullitt | (Warner Bros.-Seven Arts Studio Sound Department) | ||
(Finian's Rainbow) | (Warner Bros.-Seven Arts Studio Sound Department) | ||
(Funny Girl) | Columbia Studio Sound Department | ||
(Star!) | (20th Century-Fox Studio Sound Department) | ||
(1969) ((42nd)) | |||
(Hello, Dolly!) | (Jack Solomon) and (Murray Spivack) | ||
(Anne of the Thousand Days) | (John Aldred) | ||
Butch Cassidy and the Sundance Kid | (William Edmondson) and (David Dockendorf) | ||
(Gaily, Gaily) | (Robert Martin) and (Clem Portman) | ||
(Marooned) | (Les Fresholtz) and (Arthur Piantadosi) |
1970s
Year | Film | Nominees | |
---|---|---|---|
(1970) ((43rd)) | |||
(Patton) | (Douglas Williams) and (Don Bassman) | ||
(Airport) | (Ronald Pierce) and (David H. Moriarty) | ||
Ryan's Daughter | (Gordon McCallum) and (John Bramall) | ||
(Tora! Tora! Tora!) | (Murray Spivack) and (Herman Lewis) | ||
(Woodstock) | (Dan Wallin) and (L. A. Johnson) | ||
(1971) ((44th)) | |||
(Fiddler on the Roof) | (Gordon McCallum) and (David Hildyard) | ||
(Diamonds Are Forever) | (Gordon McCallum), (John W. Mitchell) and (Al Overton) | ||
The French Connection | Theodore Soderberg and (Christopher Newman) | ||
(Kotch) | (Richard Portman) and (Jack Solomon) | ||
(Mary, Queen of Scots) | (Bob Jones) and (John Aldred) | ||
(1972) ((45th)) | |||
(Cabaret) | (Robert Knudson) and (David Hildyard) | ||
(Butterflies Are Free) | (Arthur Piantadosi) and (Charles T. Knight) | ||
(The Candidate) | (Richard Portman) and (Gene Cantamessa) | ||
(The Godfather) | (Charles Grenzbach), (Richard Portman) and (Christopher Newman) | ||
(The Poseidon Adventure) | Theodore Soderberg and (Herman Lewis) | ||
1973 (46th) | |||
(The Exorcist) | (Robert Knudson) and (Chris Newman) | ||
(The Day of the Dolphin) | (Richard Portman) and (Larry Jost) | ||
(The Paper Chase) | (Donald O. Mitchell) and (Larry Jost) | ||
(Paper Moon) | (Richard Portman) and (Les Fresholtz) | ||
(The Sting) | (Ronald Pierce) and (Robert R. Bertrand) | ||
1974 ((47th)) | |||
(Earthquake) | (Ronald Pierce) and (Melvin Metcalfe Sr.) | ||
(Chinatown) | (Charles Grenzbach) and (Larry Jost) | ||
(The Conversation) | (Walter Murch) and (Art Rochester) | ||
(The Towering Inferno) | Theodore Soderberg and (Herman Lewis) | ||
(Young Frankenstein) | (Richard Portman) and (Gene Cantamessa) | ||
(1975) ((48th)) | Best Sound | ||
(Jaws) | (Robert Hoyt), (Roger Heman), (Earl Madery) and (John Carter) | ||
(Bite the Bullet) | (Arthur Piantadosi), (Les Fresholtz), (Richard Tyler) and (Al Overton Jr.) | ||
(Funny Lady) | (Richard Portman), (Don MacDougall), (Curly Thirlwell) and (Jack Solomon) | ||
(The Hindenburg) | (Leonard Peterson), (John A. Bolger Jr.), (John L. Mack) and (Don Sharpless) | ||
(The Wind and the Lion) | (Harry W. Tetrick), Aaron Rochin, (William McCaughey) and (Roy Charman) | ||
Special Achievement Award (Sound Effects) | |||
(The Hindenburg) | (Peter Berkos) | ||
(1976) ((49th)) | Best Sound | ||
(All the President's Men) | (Arthur Piantadosi), (Les Fresholtz), (Dick Alexander) and (Jim Webb) | ||
(King Kong) | (Harry W. Tetrick) ((posthumously)), (William McCaughey), Aaron Rochin and (Jack Solomon) | ||
(Rocky) | (Harry W. Tetrick) ((posthumously)), (William McCaughey), (Lyle J. Burbridge) and (Bud Alper) | ||
(Silver Streak) | (Donald O. Mitchell), (Douglas Williams), (Richard Tyler) and (Harold M. Etherington) | ||
(A Star Is Born) | (Robert Knudson), (Dan Wallin), (Robert Glass) and (Tom Overton) | ||
(1977) (50th) | Best Sound | ||
(Star Wars) | (Don MacDougall), (Ray West), (Bob Minkler) and (Derek Ball) | ||
Close Encounters of the Third Kind | (Robert Knudson), (Robert Glass), (Don MacDougall) and (Gene Cantamessa) | ||
(The Deep) | (Walter Goss), (Dick Alexander), (Tom Beckert) and (Robin Gregory) | ||
(Sorcerer) | (Robert Knudson), (Robert Glass), (Richard Tyler) and (Jean-Louis Ducarme) | ||
(The Turning Point) | Theodore Soderberg, (Paul Wells), (Douglas Williams) and (Jerry Jost) | ||
Special Achievement Award (Sound Effects Editing) | |||
Close Encounters of the Third Kind | (Frank E. Warner) | ||
(1978) ((51st)) | Best Sound | ||
(The Deer Hunter) | (Richard Portman), (William McCaughey), Aaron Rochin and (Darin Knight) | ||
(The Buddy Holly Story) | (Tex Rudloff), (Joel Fein), (Curly Thirlwell) and (Willie D. Burton) | ||
(Days of Heaven) | (John Wilkinson), (Robert W. Glass Jr.), (John T. Reitz) and (Barry Thomas) | ||
(Hooper) | (Robert Knudson), (Robert Glass), (Don MacDougall) and (Jack Solomon) | ||
(Superman) | (Gordon McCallum), (Graham V. Hartstone), (Nicolas Le Messurier) and (Roy Charman) | ||
(1979) ((52nd)) | Best Sound | ||
Apocalypse Now | (Walter Murch), (Mark Berger), (Richard Beggs) and (Nat Boxer) | ||
(The Electric Horseman) | (Arthur Piantadosi), (Les Fresholtz), (Michael Minkler) and (Al Overton Jr.) | ||
(Meteor) | (William McCaughey), Aaron Rochin, (Michael J. Kohut) and (Jack Solomon) | ||
(1941) | (Robert Knudson), (Robert Glass), (Don MacDougall) and (Gene Cantamessa) | ||
(The Rose) | Theodore Soderberg, (Douglas Williams), (Paul Wells) and (Jim Webb) | ||
Special Achievement Award (Sound Editing) | |||
(The Black Stallion) | (Alan Splet) |
1980s
Year | Film | Nominees | |
---|---|---|---|
(1980) ((53rd)) | |||
(The Empire Strikes Back) | (Bill Varney), (Steve Maslow), Gregg Landaker and (Peter Sutton) | ||
(Altered States) | (Arthur Piantadosi), (Les Fresholtz), (Michael Minkler) and (Willie D. Burton) | ||
(Coal Miner's Daughter) | (Richard Portman), (Roger Heman) and (James R. Alexander) | ||
(Fame) | (Michael J. Kohut), Aaron Rochin, (Jay M. Harding) and (Christopher Newman) | ||
(Raging Bull) | (Donald O. Mitchell), (Bill Nicholson), (David J. Kimball) and (Les Lazarowitz) | ||
1981 ((54th)) | Best Sound | ||
(Raiders of the Lost Ark) | (Bill Varney), (Steve Maslow), Gregg Landaker and (Roy Charman) | ||
(On Golden Pond) | (Richard Portman) and (David M. Ronne) | ||
(Outland) | (John Wilkinson), (Robert W. Glass Jr.), (Robert Thirlwell) and (Robin Gregory) | ||
(Pennies from Heaven) | (Michael J. Kohut), (Jay M. Harding), (Richard Tyler) and (Al Overton Jr.) | ||
(Reds) | (Dick Vorisek), (Tom Fleischman) and (Simon Kaye) | ||
Special Achievement Award (Sound Effects Editing) | |||
(Raiders of the Lost Ark) | Ben Burtt and (Richard L. Anderson) | ||
(1982) ((55th)) | Best Sound | ||
(E.T. the Extra-Terrestrial) | (Robert Knudson), (Robert Glass), (Don Digirolamo) and (Gene Cantamessa) | ||
(Das Boot) | (Milan Bor), (Trevor Pyke) and (Mike Le Mare) | ||
Gandhi | (Gerry Humphreys), (Robin O'Donoghue), (Jonathan Bates) and (Simon Kaye) | ||
(Tootsie) | (Arthur Piantadosi), (Les Fresholtz), (Dick Alexander) and (Les Lazarowitz) | ||
(Tron) | (Michael Minkler), (Bob Minkler), (Lee Minkler) and (James LaRue) | ||
Best Sound Effects Editing | |||
(E.T. the Extra-Terrestrial) | (Charles L. Campbell) and Ben Burtt | ||
(Das Boot) | (Mike Le Mare) | ||
(Poltergeist) | Stephen Hunter Flick and (Richard L. Anderson) | ||
(1983) ((56th)) | Best Sound | ||
(The Right Stuff) | (Mark Berger), (Tom Scott), (Randy Thom) and (David MacMillan) | ||
(Never Cry Wolf) | (Alan Splet), (Todd Boekelheide), (Randy Thom) and David Parker | ||
(Return of the Jedi) | Ben Burtt, (Gary Summers), (Randy Thom) and (Tony Dawe) | ||
(Terms of Endearment) | (Donald O. Mitchell), (Rick Kline), (Kevin O'Connell) and (James R. Alexander) | ||
(WarGames) | (Michael J. Kohut), (Carlos Delarios), Aaron Rochin and (Willie D. Burton) | ||
Best Sound Effects Editing | |||
(The Right Stuff) | (Jay Boekelheide) | ||
(Return of the Jedi) | Ben Burtt | ||
(1984) ((57th)) | Best Sound | ||
(Amadeus) | (Mark Berger), (Tom Scott), (Todd Boekelheide) and (Chris Newman) | ||
(Dune) | (Bill Varney), (Steve Maslow), (Kevin O'Connell) and (Nelson Stoll) | ||
(A Passage to India) | (Graham V. Hartstone), (Nicolas Le Messurier), (Michael A. Carter) and (John W. Mitchell) | ||
(The River) | (Nick Alphin), (Robert Thirlwell), (Richard Portman) and (David M. Ronne) | ||
(2010) | (Michael J. Kohut), Aaron Rochin, (Carlos Delarios) and (Gene Cantamessa) | ||
Special Achievement Award (Sound Effects Editing) | |||
(The River) | (Kay Rose) | ||
(1985) ((58th)) | Best Sound | ||
Out of Africa | (Chris Jenkins), (Gary Alexander), (Larry Stensvold) and (Peter Handford) | ||
(Back to the Future) | (Bill Varney), (B. Tennyson Sebastian II), (Robert Thirlwell) and (William B. Kaplan) | ||
(A Chorus Line) | (Donald O. Mitchell), (Michael Minkler), (Gerry Humphreys) and (Christopher Newman) | ||
(Ladyhawke) | (Les Fresholtz), (Dick Alexander), (Vern Poore) and (Bud Alper) | ||
(Silverado) | (Donald O. Mitchell), (Rick Kline), (Kevin O'Connell) and (David M. Ronne) | ||
Best Sound Effects Editing | |||
(Back to the Future) | (Charles L. Campbell) and (Robert Rutledge) | ||
(Ladyhawke) | (Robert G. Henderson) and (Alan Robert Murray) | ||
(Rambo: First Blood Part II) | (Frederick Brown) | ||
(1986) ((59th)) | Best Sound | ||
(Platoon) | (John Wilkinson), (Richard Rogers), (Charles Grenzbach) and (Simon Kaye) | ||
(Aliens) | (Graham V. Hartstone), (Nicolas Le Messurier), (Michael A. Carter) and (Roy Charman) | ||
(Heartbreak Ridge) | (Les Fresholtz), (Dick Alexander), (Vern Poore) and (Bill Nelson) | ||
(Star Trek IV: The Voyage Home) | (Terry Porter), (David J. Hudson), (Mel Metcalfe) and (Gene Cantamessa) | ||
(Top Gun) | (Donald O. Mitchell), (Kevin O'Connell), (Rick Kline) and (William B. Kaplan) | ||
Best Sound Effects Editing | |||
(Aliens) | (Don Sharpe) | ||
(Star Trek IV: The Voyage Home) | (Mark Mangini) | ||
(Top Gun) | (Cecelia Hall) and (George Watters II) | ||
(1987) ((60th)) | Best Sound | ||
(The Last Emperor) | (Bill Rowe) and (Ivan Sharrock) | ||
(Empire of the Sun) | (Robert Knudson), (Don Digirolamo), (John Boyd) and (Tony Dawe) | ||
(Lethal Weapon) | (Les Fresholtz), (Dick Alexander), (Vern Poore) and (Bill Nelson) | ||
(RoboCop) | (Michael J. Kohut), (Carlos Delarios), Aaron Rochin and (Robert Wald) | ||
(The Witches of Eastwick) | (Wayne Artman), (Tom Beckert), (Tom E. Dahl) and (Art Rochester) | ||
Special Achievement Award (Sound Effects Editing) | |||
(RoboCop) | Stephen Hunter Flick and (John Pospisil) | ||
(1988) (61st) | Best Sound | ||
(Bird) | (Les Fresholtz), (Dick Alexander), (Vern Poore) and (Willie Burton) | ||
(Die Hard) | (Don J. Bassman), (Kevin F. Cleary), (Richard Overton) and (Al Overton Jr.) | ||
(Gorillas in the Mist) | (Andy Nelson), (Brian Saunders) and (Peter Handford) | ||
(Mississippi Burning) | (Robert J. Litt), (Elliot Tyson), (Rick Kline) and (Danny Michael) | ||
(Who Framed Roger Rabbit) | (Robert Knudson), (John Boyd), (Don Digirolamo) and (Tony Dawe) | ||
Best Sound Effects Editing | |||
(Who Framed Roger Rabbit) | (Charles L. Campbell) and (Louis Edemann) | ||
(Die Hard) | Stephen Hunter Flick and (Richard Shorr) | ||
(Willow) | Ben Burtt and (Richard Hymns) | ||
(1989) ((62nd)) | Best Sound | ||
(Glory) | (Donald O. Mitchell), Gregg Rudloff, (Elliot Tyson) and (Russell Williams II) | ||
(The Abyss) | (Don J. Bassman), (Kevin F. Cleary), (Richard Overton) and (Lee Orloff) | ||
(Black Rain) | (Donald O. Mitchell), (Kevin O'Connell), (Greg P. Russell) and (Keith A. Wester) | ||
(Born on the Fourth of July) | (Michael Minkler), (Gregory H. Watkins), (Wylie Stateman) and (Tod A. Maitland) | ||
(Indiana Jones and the Last Crusade) | Ben Burtt, (Gary Summers), (Shawn Murphy) and (Tony Dawe) | ||
Best Sound Effects Editing | |||
(Indiana Jones and the Last Crusade) | Ben Burtt and (Richard Hymns) | ||
(Black Rain) | (Milton Burrow) and (William Manger) | ||
(Lethal Weapon 2) | (Robert G. Henderson) and (Alan Robert Murray) |
1990s
Year | Film | Nominees | |
---|---|---|---|
(1990) ((63rd)) | Best Sound | ||
(Dances with Wolves) | (Jeffrey Perkins), (Bill W. Benton), (Gregory H. Watkins) and (Russell Williams II) | ||
(Days of Thunder) | (Donald O. Mitchell), (Rick Kline), (Kevin O'Connell) and (Charles M. Wilborn) | ||
(Dick Tracy) | (Chris Jenkins), (David E. Campbell), (Doug Hemphill) and (Thomas Causey) | ||
(The Hunt for Red October) | (Don J. Bassman), (Richard Overton), (Kevin F. Cleary) and (Richard Bryce Goodman) | ||
(Total Recall) | (Michael J. Kohut), (Carlos Delarios), Aaron Rochin and (Nelson Stoll) | ||
Best Sound Effects Editing | |||
(The Hunt for Red October) | (Cecelia Hall) and (George Watters II) | ||
(Flatliners) | (Charles L. Campbell) and (Richard C. Franklin) | ||
(Total Recall) | Stephen Hunter Flick | ||
(1991) ((64th)) | Best Sound | ||
(Terminator 2: Judgment Day) | (Tom Johnson), (Gary Rydstrom), (Gary Summers) and (Lee Orloff) | ||
(Backdraft) | (Gary Summers), (Randy Thom), (Gary Rydstrom) and (Glenn Williams) | ||
Beauty and the Beast | (Terry Porter), (Mel Metcalfe), (David J. Hudson) and (Doc Kane) | ||
(JFK) | (Michael Minkler), Gregg Landaker and (Tod A. Maitland) | ||
(The Silence of the Lambs) | (Tom Fleischman) and (Christopher Newman) | ||
Best Sound Effects Editing | |||
(Terminator 2: Judgment Day) | (Gary Rydstrom) and (Gloria Borders) | ||
(Backdraft) | (Gary Rydstrom) and (Richard Hymns) | ||
(Star Trek VI: The Undiscovered Country) | (George Watters II) and (F. Hudson Miller) | ||
(1992) ((65th)) | Best Sound | ||
(The Last of the Mohicans) | (Chris Jenkins), (Doug Hemphill), (Mark Smith) and (Simon Kaye) | ||
Aladdin | (Terry Porter), (Mel Metcalfe), (David J. Hudson) and (Doc Kane) | ||
(A Few Good Men) | (Kevin O'Connell), (Rick Kline) and (Robert Eber) | ||
(Under Siege) | (Donald O. Mitchell), (Frank A. Montaño), (Rick Hart) and (Scott D. Smith) | ||
(Unforgiven) | (Les Fresholtz), (Vern Poore), (Dick Alexander) and (Rob Young) | ||
Best Sound Effects Editing | |||
(Bram Stoker's Dracula) | (Tom McCarthy) and (David Stone) | ||
Aladdin | (Mark Mangini) | ||
(Under Siege) | (John Leveque) and (Bruce Stambler) | ||
(1993) ((66th)) | Best Sound | ||
(Jurassic Park) | (Gary Summers), (Gary Rydstrom), (Shawn Murphy) and (Ron Judkins) | ||
(Cliffhanger) | (Michael Minkler), (Bob Beemer) and (Tim Cooney) | ||
(The Fugitive) | (Donald O. Mitchell), (Michael Herbick), (Frank A. Montaño) and (Scott D. Smith) | ||
(Geronimo: An American Legend) | (Chris Carpenter), (Doug Hemphill), (Bill W. Benton) and (Lee Orloff) | ||
(Schindler's List) | (Andy Nelson), (Steve Pederson), (Scott Millan) and (Ron Judkins) | ||
Best Sound Effects Editing | |||
(Jurassic Park) | (Gary Rydstrom) and (Richard Hymns) | ||
(Cliffhanger) | (Wylie Stateman) and (Gregg Baxter) | ||
(The Fugitive) | (John Leveque) and (Bruce Stambler) | ||
(1994) ((67th)) | Best Sound | ||
(Speed) | Gregg Landaker, (Steve Maslow), (Bob Beemer) and (David MacMillan) | ||
(Clear and Present Danger) | (Donald O. Mitchell), (Michael Herbick), (Frank A. Montaño) and (Art Rochester) | ||
(Forrest Gump) | (Randy Thom), (Tom Johnson), (Dennis S. Sands) and (William B. Kaplan) | ||
(Legends of the Fall) | (Paul Massey), (David E. Campbell), (Chris David) and (Douglas Ganton) | ||
(The Shawshank Redemption) | (Robert J. Litt), (Elliot Tyson), (Michael Herbick) and (Willie D. Burton) | ||
Best Sound Effects Editing | |||
(Speed) | Stephen Hunter Flick | ||
(Clear and Present Danger) | (Bruce Stambler) and (John Leveque) | ||
(Forrest Gump) | (Gloria Borders) and (Randy Thom) | ||
(1995) ((68th)) | Best Sound | ||
(Apollo 13) | (Rick Dior), (Steve Pederson), (Scott Millan) and (David MacMillan) | ||
(Batman Forever) | (Donald O. Mitchell), (Frank A. Montaño), (Michael Herbick) and (Petur Hliddal) | ||
(Braveheart) | (Andy Nelson), (Scott Millan), (Anna Behlmer) and (Brian Simmons) | ||
(Crimson Tide) | (Kevin O'Connell), (Rick Kline), (Gregory H. Watkins) and (William B. Kaplan) | ||
(Waterworld) | (Steve Maslow), Gregg Landaker and (Keith A. Wester) | ||
Best Sound Effects Editing | |||
(Braveheart) | (Lon Bender) and (Per Hallberg) | ||
(Batman Forever) | (John Leveque) and (Bruce Stambler) | ||
(Crimson Tide) | (George Watters II) | ||
(1996) ((69th)) | Best Sound | ||
(The English Patient) | (Walter Murch), (Mark Berger), David Parker and (Chris Newman) | ||
(Evita) | (Andy Nelson), (Anna Behlmer) and (Ken Weston) | ||
(Independence Day) | (Chris Carpenter), (Bill W. Benton), (Bob Beemer) and (Jeff Wexler) | ||
(The Rock) | (Kevin O'Connell), (Greg P. Russell) and (Keith A. Wester) | ||
(Twister) | (Steve Maslow), Gregg Landaker, (Kevin O'Connell) and (Geoffrey Patterson) | ||
Best Sound Effects Editing | |||
(The Ghost and the Darkness) | (Bruce Stambler) | ||
(Daylight) | (Richard Anderson) and (David A. Whittaker) | ||
(Eraser) | (Alan Robert Murray) and Bub Asman | ||
(1997) ((70th)) | Best Sound | ||
(Titanic) | (Gary Rydstrom), (Tom Johnson), (Gary Summers) and (Mark Ulano) | ||
(Air Force One) | (Paul Massey), (Rick Kline), (Doug Hemphill) and (Keith A. Wester) | ||
(Con Air) | (Kevin O'Connell), (Greg P. Russell) and (Art Rochester) | ||
(Contact) | (Randy Thom), (Tom Johnson), (Dennis S. Sands) and (William B. Kaplan) | ||
(L.A. Confidential) | (Andy Nelson), (Anna Behlmer) and (Kirk Francis) | ||
Best Sound Effects Editing | |||
(Titanic) | (Tom Bellfort) and Christopher Boyes | ||
(Face/Off) | (Mark Stoeckinger) and (Per Hallberg) | ||
(The Fifth Element) | (Mark Mangini) | ||
(1998) (71st) | Best Sound | ||
(Saving Private Ryan) | (Gary Rydstrom), (Gary Summers), (Andy Nelson) and (Ron Judkins) | ||
(Armageddon) | (Kevin O'Connell), (Greg P. Russell) and (Keith A. Wester) | ||
(The Mask of Zorro) | (Kevin O'Connell), (Greg P. Russell) and (Pud Cusack) | ||
(Shakespeare in Love) | (Robin O'Donoghue), (Dominic Lester) and (Peter Glossop) | ||
(The Thin Red Line) | (Andy Nelson), (Anna Behlmer) and (Paul Brincat) | ||
Best Sound Effects Editing | |||
(Saving Private Ryan) | (Gary Rydstrom) and (Richard Hymns) | ||
(Armageddon) | (George Watters II) | ||
(The Mask of Zorro) | (David McMoyler) | ||
(1999) ((72nd)) | Best Sound | ||
(The Matrix) | (John T. Reitz), Gregg Rudloff, (David E. Campbell) and (David Lee) | ||
(The Green Mile) | (Robert J. Litt), (Elliot Tyson), (Michael Herbick) and (Willie D. Burton) | ||
(The Insider) | (Andy Nelson), (Doug Hemphill) and (Lee Orloff) | ||
(The Mummy) | (Leslie Shatz), (Chris Carpenter), (Rick Kline) and (Chris Munro) | ||
(Star Wars: Episode I – The Phantom Menace) | (Gary Rydstrom), (Tom Johnson), (Shawn Murphy) and (John Midgley) | ||
Best Sound Effects Editing | |||
(The Matrix) | (Dane Davis) | ||
(Fight Club) | (Ren Klyce) and (Richard Hymns) | ||
(Star Wars: Episode I – The Phantom Menace) | Ben Burtt and (Tom Bellfort) |
2000s
Year | Film | Nominees | |
---|---|---|---|
(2000) ((73rd)) | Best Sound | ||
(Gladiator) | (Scott Millan), (Bob Beemer) and (Ken Weston) | ||
Cast Away | (Randy Thom), (Tom Johnson), (Dennis S. Sands) and (William B. Kaplan) | ||
(The Patriot) | (Kevin O'Connell), (Greg P. Russell) and (Lee Orloff) | ||
(The Perfect Storm) | (John T. Reitz), Gregg Rudloff, (David E. Campbell) and (Keith A. Wester) | ||
(U-571) | (Steve Maslow), Gregg Landaker, (Rick Kline) and (Ivan Sharrock) | ||
Best Sound Editing | |||
(U-571) | (Jon Johnson) | ||
(Space Cowboys) | Bub Asman and (Alan Robert Murray) | ||
(2001) ((74th)) | Best Sound | ||
(Black Hawk Down) | (Michael Minkler), (Myron Nettinga) and (Chris Munro) | ||
(Amélie) | (Vincent Arnardi), (Guillaume Leriche) and (Jean Umansky) | ||
(The Lord of the Rings: The Fellowship of the Ring) | Christopher Boyes, (Michael Semanick), (Gethin Creagh) and (Hammond Peek) | ||
(Moulin Rouge!) | (Andy Nelson), (Anna Behlmer), (Roger Savage) and (Guntis Sics) | ||
(Pearl Harbor) | (Kevin O'Connell), (Greg P. Russell) and (Peter J. Devlin) | ||
Best Sound Editing | |||
(Pearl Harbor) | (George Watters II) and Christopher Boyes | ||
(Monsters, Inc.) | (Gary Rydstrom) and (Michael Silvers) | ||
(2002) ((75th)) | Best Sound | ||
(Chicago) | (Michael Minkler), (Dominick Tavella) and (David Lee) | ||
(Gangs of New York) | (Tom Fleischman), (Eugene Gearty) and (Ivan Sharrock) | ||
(The Lord of the Rings: The Two Towers) | Christopher Boyes, (Michael Semanick), Michael Hedges and (Hammond Peek) | ||
(Road to Perdition) | (Scott Millan), (Bob Beemer) and (John Pritchett) | ||
(Spider-Man) | (Kevin O'Connell), (Greg P. Russell) and (Ed Novick) | ||
Best Sound Editing | |||
(The Lord of the Rings: The Two Towers) | (Mike Hopkins) and (Ethan Van der Ryn) | ||
Minority Report | (Richard Hymns) and (Gary Rydstrom) | ||
(Road to Perdition) | (Scott Hecker) | ||
(2003) ((76th)) | Best Sound Mixing | ||
(The Lord of the Rings: The Return of the King) | Christopher Boyes, (Michael Semanick), Michael Hedges and (Hammond Peek) | ||
(The Last Samurai) | (Andy Nelson), (Anna Behlmer) and (Jeff Wexler) | ||
(Master and Commander: The Far Side of the World) | (Paul Massey), (Doug Hemphill) and (Art Rochester) | ||
(Pirates of the Caribbean: The Curse of the Black Pearl) | Christopher Boyes, David Parker, (David E. Campbell) and (Lee Orloff) | ||
(Seabiscuit) | (Andy Nelson), (Anna Behlmer) and (Tod A. Maitland) | ||
Best Sound Editing | |||
(Master and Commander: The Far Side of the World) | (Richard King) | ||
(Finding Nemo) | (Gary Rydstrom) and (Michael Silvers) | ||
(Pirates of the Caribbean: The Curse of the Black Pearl) | Christopher Boyes and (George Watters II) | ||
(2004) ((77th)) | Best Sound Mixing | ||
(Ray) | (Scott Millan), (Greg Orloff), (Bob Beemer) and (Steve Cantamessa) | ||
(The Aviator) | (Tom Fleischman) and (Petur Hliddal) | ||
(The Incredibles) | (Randy Thom), (Gary Rizzo) and (Doc Kane) | ||
(The Polar Express) | (Randy Thom), (Tom Johnson), (Dennis S. Sands) and (William B. Kaplan) | ||
(Spider-Man 2) | (Kevin O'Connell), (Greg P. Russell), (Jeffrey J. Haboush) and (Joseph Geisinger) | ||
Best Sound Editing | |||
(The Incredibles) | (Michael Silvers) and (Randy Thom) | ||
(The Polar Express) | (Randy Thom) and (Dennis Leonard) | ||
(Spider-Man 2) | (Paul N. J. Ottosson) | ||
(2005) ((78th)) | Best Sound Mixing | ||
(King Kong) | Christopher Boyes, (Michael Semanick), Michael Hedges and (Hammond Peek) | ||
(The Chronicles of Narnia: The Lion, the Witch and the Wardrobe) | (Terry Porter), (Dean A. Zupancic) and (Tony Johnson) | ||
(Memoirs of a Geisha) | (Kevin O'Connell), (Greg P. Russell), (Rick Kline) and (John Pritchett) | ||
(Walk the Line) | (Paul Massey), (Doug Hemphill) and (Peter Kurland) | ||
(War of the Worlds) | (Andy Nelson), (Anna Behlmer) and (Ron Judkins) | ||
Best Sound Editing | |||
(King Kong) | (Mike Hopkins) and (Ethan Van der Ryn) | ||
(Memoirs of a Geisha) | (Wylie Stateman) | ||
(War of the Worlds) | (Richard King) | ||
(2006) ((79th)) | Best Sound Mixing | ||
(Dreamgirls) | (Michael Minkler), (Bob Beemer) and (Willie D. Burton) | ||
(Apocalypto) | (Kevin O'Connell), (Greg P. Russell) and (Fernando Cámara) | ||
(Blood Diamond) | (Andy Nelson), (Anna Behlmer) and (Ivan Sharrock) | ||
(Flags of Our Fathers) | (John T. Reitz), (David E. Campbell), Gregg Rudloff and (Walt Martin) | ||
(Pirates of the Caribbean: Dead Man's Chest) | (Paul Massey), Christopher Boyes and (Lee Orloff) | ||
Best Sound Editing | |||
(Letters from Iwo Jima) | Bub Asman and (Alan Robert Murray) | ||
(Apocalypto) | (Kami Asgar) and (Sean McCormack) | ||
(Blood Diamond) | (Lon Bender) | ||
(Flags of Our Fathers) | (Alan Robert Murray) and Bub Asman | ||
(Pirates of the Caribbean: Dead Man's Chest) | Christopher Boyes and (George Watters II) | ||
(2007) ((80th)) | Best Sound Mixing | ||
(The Bourne Ultimatum) | (Scott Millan), David Parker and (Kirk Francis) | ||
(No Country for Old Men) | (Skip Lievsay), (Craig Berkey), (Greg Orloff) and (Peter Kurland) | ||
(Ratatouille) | (Randy Thom), (Michael Semanick) and (Doc Kane) | ||
(3:10 to Yuma) | (Paul Massey), (David Giammarco) and (Jim Stuebe) | ||
(Transformers) | (Kevin O'Connell), (Greg P. Russell) and (Peter J. Devlin) | ||
Best Sound Editing | |||
(The Bourne Ultimatum) | (Karen Baker Landers) and (Per Hallberg) | ||
(No Country for Old Men) | (Skip Lievsay) | ||
(Ratatouille) | (Randy Thom) and (Michael Silvers) | ||
(There Will Be Blood) | (Christopher Scarabosio) and (Matthew Wood) | ||
(Transformers) | (Ethan Van der Ryn) and (Mike Hopkins) | ||
(2008) ((81st)) | Best Sound Mixing | ||
(Slumdog Millionaire) | (Ian Tapp), (Richard Pryke) and (Resul Pookutty) | ||
(The Curious Case of Benjamin Button) | David Parker, (Michael Semanick), (Ren Klyce) and (Mark Weingarten) | ||
(The Dark Knight) | (Lora Hirschberg), (Gary Rizzo) and (Ed Novick) | ||
(WALL-E) | (Tom Myers), (Michael Semanick) and Ben Burtt | ||
(Wanted) | (Chris Jenkins), (Frank A. Montaño) and (Petr Forejt) | ||
Best Sound Editing | |||
(The Dark Knight) | (Richard King) | ||
(Iron Man) | Frank E. Eulner and Christopher Boyes | ||
(Slumdog Millionaire) | (Tom Sayers) and Glenn Freemantle | ||
(WALL-E) | Ben Burtt and (Matthew Wood) | ||
(Wanted) | (Wylie Stateman) | ||
(2009) ((82nd)) | Best Sound Mixing | ||
(The Hurt Locker) | (Paul N. J. Ottosson) and (Ray Beckett) | ||
Avatar | Christopher Boyes, (Gary Summers), (Andy Nelson) and (Tony Johnson) | ||
(Inglourious Basterds) | (Michael Minkler), (Tony Lamberti) and (Mark Ulano) | ||
(Star Trek) | (Anna Behlmer), (Andy Nelson) and (Peter J. Devlin) | ||
(Transformers: Revenge of the Fallen) | (Greg P. Russell), (Gary Summers) and (Geoffrey Patterson) | ||
Best Sound Editing | |||
(The Hurt Locker) | (Paul N. J. Ottosson) | ||
Avatar | Christopher Boyes and (Gwendolyn Yates Whittle) | ||
(Inglourious Basterds) | (Wylie Stateman) | ||
(Star Trek) | (Mark Stoeckinger) and (Alan Rankin) | ||
(Up) | (Michael Silvers) and (Tom Myers) |
2010s
Year | Film | Nominees | |
---|---|---|---|
(2010) ((83rd)) | Best Sound Mixing | ||
(Inception) | (Lora Hirschberg), (Gary Rizzo) and (Ed Novick) | ||
(The King's Speech) | (Paul Hamblin), (Martin Jensen) and (John Midgley) | ||
(Salt) | (Jeffrey J. Haboush), (Greg P. Russell), (Scott Millan) and (William Sarokin) | ||
The Social Network | (Ren Klyce), David Parker, (Michael Semanick) and (Mark Weingarten) | ||
(True Grit) | (Skip Lievsay), (Craig Berkey), (Greg Orloff) and (Peter Kurland) | ||
Best Sound Editing | |||
(Inception) | (Richard King) | ||
(Toy Story 3) | (Tom Myers) and (Michael Silvers) | ||
(Tron: Legacy) | (Gwendolyn Yates Whittle) and (Addison Teague) | ||
(True Grit) | (Skip Lievsay) and (Craig Berkey) | ||
(Unstoppable) | (Mark P. Stoeckinger) | ||
(2011) ((84th)) | Best Sound Mixing | ||
Hugo | (Tom Fleischman) and (John Midgley) | ||
(The Girl with the Dragon Tattoo) | David Parker, (Michael Semanick), (Ren Klyce) and (Bo Persson) | ||
(Moneyball) | (Deb Adair), (Ron Bochar), (Dave Giammarco) and (Ed Novick) | ||
(Transformers: Dark of the Moon) | (Greg P. Russell), (Gary Summers), (Jeffrey J. Haboush) and (Peter J. Devlin) | ||
(War Horse) | (Gary Rydstrom), (Andy Nelson), (Tom Johnson) and Stuart Wilson | ||
Best Sound Editing | |||
Hugo | (Eugene Gearty) and (Philip Stockton) | ||
Drive | (Lon Bender) and (Victor Ray Ennis) | ||
(The Girl with the Dragon Tattoo) | (Ren Klyce) | ||
(Transformers: Dark of the Moon) | Erik Aadahl and (Ethan Van der Ryn) | ||
(War Horse) | (Richard Hymns) and (Gary Rydstrom) | ||
(2012) ((85th)) | Best Sound Mixing | ||
(Les Misérables) | (Andy Nelson), (Mark Paterson) and (Simon Hayes) | ||
(Argo) | (John Reitz), Gregg Rudloff and (Jose Antonio Garcia) | ||
Life of Pi | (Ron Bartlett), (D.M. Hemphill) and (Drew Kunin) | ||
(Lincoln) | (Andy Nelson), (Gary Rydstrom) and (Ronald Judkins) | ||
(Skyfall) | (Scott Millan), (Greg P. Russell) and Stuart Wilson | ||
Best Sound Editing | |||
(Skyfall) (TIE) | (Per Hallberg) and (Karen Baker Landers) | ||
(Zero Dark Thirty) (TIE) | (Paul N. J. Ottosson) | ||
(Argo) | Erik Aadahl and (Ethan Van der Ryn) | ||
(Django Unchained) | (Wylie Stateman) | ||
Life of Pi | (Eugene Gearty) and (Philip Stockton) | ||
(2013) ((86th)) | Best Sound Mixing | ||
(Gravity) | (Skip Lievsay), (Niv Adiri), (Christopher Benstead) and (Chris Munro) | ||
Captain Phillips | (Chris Burdon), (Mark Taylor), (Mike Prestwood Smith) and (Chris Munro) | ||
(The Hobbit: The Desolation of Smaug) | Christopher Boyes, Michael Hedges, (Michael Semanick) and (Tony Johnson) | ||
(Inside Llewyn Davis) | (Skip Lievsay), (Greg Orloff) and (Peter Kurland) | ||
(Lone Survivor) | (Andy Koyama), (Beau Borders) and (David Brownlow) | ||
Best Sound Editing | |||
(Gravity) | Glenn Freemantle | ||
(All Is Lost) | (Steve Boeddeker) and (Richard Hymns) | ||
Captain Phillips | (Oliver Tarney) | ||
(The Hobbit: The Desolation of Smaug) | (Brent Burge) and (Chris Ward) | ||
(Lone Survivor) | (Wylie Stateman) | ||
(2014) ((87th)) | Best Sound Mixing | ||
(Whiplash) | Craig Mann, (Ben Wilkins) and (Thomas Curley) | ||
American Sniper | (John Reitz), Gregg Rudloff and (Walt Martin) ((posthumously)) | ||
(Birdman or (The Unexpected Virtue of Ignorance)) | (Jon Taylor), (Frank A. Montaño) and (Thomas Varga) | ||
(Interstellar) | (Gary A. Rizzo), Gregg Landaker and (Mark Weingarten) | ||
(Unbroken) | (Jon Taylor), (Frank A. Montaño) and (David Lee) | ||
Best Sound Editing | |||
American Sniper | (Alan Robert Murray) and Bub Asman | ||
(Birdman or (The Unexpected Virtue of Ignorance)) | (Martin Hernández) and (Aaron Glascock) | ||
(The Hobbit: The Battle of the Five Armies) | (Brent Burge) and (Jason Canovas) | ||
(Interstellar) | (Richard King) | ||
(Unbroken) | (Becky Sullivan) and (Andrew DeCristofaro) | ||
(2015) ((88th)) | Best Sound Mixing | ||
(Mad Max: Fury Road) | (Chris Jenkins), Gregg Rudloff and (Ben Osmo) | ||
Bridge of Spies | (Andy Nelson), (Gary Rydstrom) and (Drew Kunin) | ||
(The Martian) | (Paul Massey), (Mark Taylor) and (Mac Ruth) | ||
(The Revenant) | (Jon Taylor), (Frank A. Montaño), (Randy Thom) and (Chris Duesterdiek) | ||
Star Wars: The Force Awakens | (Andy Nelson), (Christopher Scarabosio) and Stuart Wilson | ||
Best Sound Editing | |||
(Mad Max: Fury Road) | (Mark Mangini) and (David White) | ||
(The Martian) | (Oliver Tarney) | ||
(The Revenant) | (Martin Hernández) and (Lon Bender) | ||
(Sicario) | (Alan Robert Murray) | ||
Star Wars: The Force Awakens | (Matthew Wood) and (David Acord) | ||
(2016) ((89th)) | Best Sound Mixing | ||
Hacksaw Ridge | (Kevin O'Connell), (Andy Wright), (Robert Mackenzie) and (Peter Grace) | ||
(Arrival) | (Bernard Gariépy Strobl) and (Claude La Haye) | ||
(La La Land) | (Andy Nelson), (Ai-Ling Lee) and (Steven A. Morrow) | ||
(Rogue One: A Star Wars Story) | David Parker, (Christopher Scarabosio) and Stuart Wilson | ||
(13 Hours: The Secret Soldiers of Benghazi) | (Gary Summers), (Jeffrey J. Haboush) and (Mac Ruth) | ||
Best Sound Editing | |||
(Arrival) | (Sylvain Bellemare) | ||
(Deepwater Horizon) | (Wylie Stateman) and (Renée Tondelli) | ||
Hacksaw Ridge | (Robert Mackenzie) and (Andy Wright) | ||
(La La Land) | (Ai-Ling Lee) and (Mildred Iatrou Morgan) | ||
(Sully) | (Alan Robert Murray) and Bub Asman | ||
(2017) (90th) | Best Sound Mixing | ||
Dunkirk | Gregg Landaker, (Gary Rizzo) and (Mark Weingarten) | ||
(Baby Driver) | (Julian Slater), (Tim Cavagin) and (Mary H. Ellis) | ||
(Blade Runner 2049) | (Ron Bartlett), (Doug Hemphill) and (Mac Ruth) | ||
(The Shape of Water) | (Christian Cooke), (Brad Zoern) and (Glen Gauthier) | ||
(Star Wars: The Last Jedi) | David Parker, (Michael Semanick), (Ren Klyce) and Stuart Wilson | ||
Best Sound Editing | |||
(Dunkirk) | (Richard King) and (Alex Gibson) | ||
(Baby Driver) | (Julian Slater) | ||
(Blade Runner 2049) | (Mark Mangini) and (Theo Green) | ||
(The Shape of Water) | (Nathan Robitaille) and (Nelson Ferreira) | ||
(Star Wars: The Last Jedi) | (Matthew Wood) and (Ren Klyce) | ||
(2018) ((91st)) | Best Sound Mixing | ||
(Bohemian Rhapsody) | (Paul Massey), (Tim Cavagin) and (John Casali) | ||
Black Panther | (Steve Boeddeker), (Brandon Proctor) and (Peter J. Devlin) | ||
(First Man) | (Jon Taylor), (Frank A. Montaño), (Ai-Ling Lee) and (Mary H. Ellis) | ||
(Roma) | (Skip Lievsay), (Craig Henighan) and (José Antonio Garcia) | ||
A Star Is Born | (Tom Ozanich), (Dean Zupancic), (Jason Ruder) and (Steve Morrow) | ||
Best Sound Editing | |||
(Bohemian Rhapsody) | (John Warhurst) and (Nina Hartstone) | ||
Black Panther | (Benjamin A. Burtt) and (Steve Boeddeker) | ||
(First Man) | (Ai-Ling Lee) and (Mildred Iatrou Morgan) | ||
(A Quiet Place) | (Ethan Van der Ryn) and Erik Aadahl | ||
(Roma) | (Sergio Díaz) and (Skip Lievsay) | ||
(2019) ((92nd)) | Best Sound Mixing | ||
(1917) | (Mark Taylor) and Stuart Wilson | ||
(Ad Astra) | (Gary Rydstrom), (Tom Johnson) and (Mark Ulano) | ||
(Ford v Ferrari) | (Paul Massey), (David Giammarco) and (Steven A. Morrow) | ||
(Joker) | (Tom Ozanich), (Dean Zupancic) and (Tod Maitland) | ||
(Once Upon a Time in Hollywood) | (Michael Minkler), (Christian P. Minkler) and (Mark Ulano) | ||
Best Sound Editing | |||
(Ford v Ferrari) | (Donald Sylvester) | ||
(Joker) | (Alan Robert Murray) | ||
(1917) | (Oliver Tarney) and (Rachael Tate) | ||
(Once Upon a Time in Hollywood) | (Wylie Stateman) | ||
(Star Wars: The Rise of Skywalker) | (Matthew Wood) and (David Acord) |
2020s
Year | Film | Nominees |
---|---|---|
(2020/21) ((93rd)) | ||
(Sound of Metal) | (Nicolas Becker), (Jaime Baksht), (Michelle Couttolenc), (Carlos Cortés Navarrete) and (Phillip Bladh) | |
(Greyhound) | (Warren Shaw), (Michael Minkler), (Beau Borders) and (David Wyman) | |
(Mank) | (Ren Klyce), (Jeremy Molod), David Parker, (Nathan Nance) and (Drew Kunin) | |
(News of the World) | (Oliver Tarney), (Mike Prestwood Smith), (William Miller) and (John Pritchett) | |
Soul | (Ren Klyce), (Coya Elliott) and David Parker | |
(2021) (94th) | ||
(Dune) | (Mac Ruth), (Mark Mangini), (Theo Green), (Doug Hemphill) and (Ron Bartlett) | |
(Belfast) | (Denise Yarde), (Simon Chase), (James Mather) and (Niv Adiri) | |
No Time to Die | (Simon Hayes), (Oliver Tarney), (James Harrison), (Paul Massey) and (Mark Taylor) | |
(The Power of the Dog) | (Richard Flynn), (Robert Mackenzie) and (Tara Webb) | |
(West Side Story) | (Tod A. Maitland), (Gary Rydstrom), (Brian Chumney), (Andy Nelson) and (Shawn Murphy) | |
(2022) ((95th)) | ||
(Top Gun: Maverick) | (Mark Weingarten), (James H. Mather), (Al Nelson), (Chris Burdon) and (Mark Taylor) | |
(All Quiet on the Western Front) | (Viktor Prášil), (Frank Kruse), (Markus Stemler), (Lars Ginzel) and (Stefan Korte) | |
Avatar: The Way of Water | (Julian Howarth), (Gwendolyn Yates Whittle), (Dick Bernstein), Christopher Boyes, (Gary Summers) and Michael Hedges | |
(The Batman) | Stuart Wilson, William Files, Douglas Murray and (Andy Nelson) | |
(Elvis) | (David Lee), (Wayne Pashley), (Andy Nelson) and Michael Keller | |
2023 ((96th)) | ||
(The Zone of Interest) | (Tarn Willers) and (Johnnie Burn) | |
(The Creator) | (Ian Voigt), Erik Aadahl, (Ethan Van der Ryn), (Tom Ozanich) and (Dean Zupancic) | |
(Maestro) | (Steven A. Morrow), (Richard King), (Jason Ruder), (Tom Ozanich) and (Dean Zupancic) | |
Mission: Impossible – Dead Reckoning Part One | (Chris Munro), (James H. Mather), (Chris Burdon) and (Mark Taylor) | |
(Oppenheimer) | (Willie D. Burton), (Richard King), (Gary A. Rizzo) and (Kevin O'Connell) |
Multiple nominations and awards for Best Sound Mixing
|
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Multiple awards and nominations for Best Sound Editing
Multiple awards
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Multiple nominations
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† = includes special achievement awards
See also
- (BAFTA Award for Best Sound)
- (Critics' Choice Movie Award for Best Sound)
Notes
- These nominations were not associated with any individual film title.
- This was presented as a (Special Achievement Award), not competitively.
- A tie in voting resulted in two winners.
- (Greg P. Russell) was announced as a nominee for 13 Hours, but his nomination was rescinded by a vote of the Academy's Board of Governors on recommendation of the Sound Branch Executive Committee. Russell had violated a campaign regulation prohibiting telephone lobbying by calling his fellow members of the Sound Branch during the nominations phase to make them aware of his work on the film. No replacement nominee was named.
References
- Koehler, Robert (May 8, 1999). "Pros play favorites". Variety.
- Hammond, Pete (April 28, 2020). "Oscars Keeping Show Date But Make Big News As Academy Lightens Eligibility Rules, Combines Sound Categories, Ends DVD Screeners and More". Deadline Hollywood.
- "Academy Awards 2017: Complete list of Oscar winners and nominees". Los Angeles Times. February 26, 2017. Retrieved January 8, 2018.
- Calvario, Liz (February 25, 2017). "Academy Rescinds Sound Mixing Nomination for Greg P. Russell of '13 Hours'". Deadline Hollywood. Retrieved February 25, 2017.
- "Academy Awards 2017: Complete list of Oscar winners and nominees". Los Angeles Times. February 26, 2017. Retrieved January 8, 2018.